Monday, May 18, 2009

Movies for Monday: "The Naked Spur" (1953)

For this week's edition of Movies for Monday, head on over to Gary Dobbs' blog The Tainted Archive where I had the honor of being a guest blogger. In anticipation of the June 1st Wild West Monday the Third, I wrote about Anthony Mann's The Naked Spur (1953), which stars James Stewart as a bounty hunter on the trail of wanted outlaw Robert Ryan. A psychological Western shot on-location in the Colorado Rockies in glorious Technicolor, the film also stars Ralph Meeker and Millard Mitchell as Stewart's cohorts and Janet Leigh as Ryan's young girlfriend. Even under the magnificent expanse of the Western sky, the film still has all the claustrophobic tension you'd expect from one of Mann's noir films as greed slowly tears the group apart and tests the loyalty of everyone involved.


There’s a deceptive beauty to Western landscapes. It’s true, the open skies represent the possibility of freedom, and the vast areas of land carry the promises of growth and renewal. But beneath the beautiful surface is its dangerous terrain, demanding and unforgiving. In the barest of elements, there is little that can stay hidden for long, either by nature – or by man. The naked truth – whether raw and brutal, or hopeful and poetic – will eventually emerge. And this transformation is at the core of Anthony Mann’s magnificent Western The Naked Spur (1953). 

James Stewart plays a bounty hunter chasing down a price on Robert Ryan’s head. Along the trail, Stewart enlists the help of failed gold prospector Millard Mitchell (who would sadly pass away shortly after completing the film) and dishonorably discharged soldier Ralph Meeker. When they catch up with Ryan, they discover he isn’t alone – with him is a young Janet Leigh, whose family has all died and who has no one in the world except for Ryan. With their captive atop a mule, the quintet starts the long journey out of the wilderness to collect the reward. Ryan’s only chance is to plant seeds of distrust amongst the group, and watch as their bickering turns to anger and their hasty reactions threaten to destroy one another.

Each of the actors delivers one of the finest performances of their careers as they wrestle with their deep-rooted anxieties and psychological distress. They are all haunted by the past and desperate for a better future – which leaves them with the difficult task of dealing with the uncertain present. As Ryan says, “Choosing a way to die ­– what’s the difference. Choosing a way to live – that’s the hard part.” And throughout the movie, the characters take many different paths, switching loyalties so often that they ultimately end up betraying only themselves. 
Known for playing “everyman” roles, here James Stewart gets to play a very different type of character for him. As Howard Kemp, he explores a much darker character, one who has suffered betrayal from a former lover and who has turned this resentment into something monstrous. He trusts no one, cares only for money, and has lost all sense of humanity – or so he tries to convince himself. As the group becomes increasingly paranoid and distrustful, Stewart’s emotions become as stark and jagged as the Rocky Mountain terrain they travel through. Shivering with anxiety and misplaced hate (meant for himself but taken out on others), we watch as he goes through a total transformation and comes face-to-face with the darkest secrets of his soul.

Shot on location in the Colorado Rockies, The Naked Spur is terrific from first tense frame to its last, in which the surviving characters, though wounded, finally let go of the past and work towards that hopeful future they wanted all along. The stunningly beautiful Technicolor photography is by William C. Mellor, who also photographed Bad Day at Block Rock and Giant, among many other fine films. If you’re looking for a way to get in the mood for Wild West Monday the Third, look no further than this film, and then check out the many other excellent Westerns directed by Anthony Mann, including The Furies, The Far Country, and Winchester 73.

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